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  1. Three Questions to Ask Yourself When Writing a Blog

    November 23, 2014 by Diane

    hand opening red curtain on white.

    When it comes to blogging, there are three questions that I’ve stumbled upon behind the writer’s curtain, and stumbled to answer, in my blogging adventure. So to all my fellow bloggers, I present Three Questions to Ponder.

    1. What are you blogging about?

    When it comes to blogging, the number one piece of advice I hear is this: stick to one topic. Build an identity. Focus on a specialty. Become the go-to person for whatever you’ve got.

    What am I focusing on?

    Nutty in-laws and nutty doctors and nutty dates and nutty stuff that I catch myself doing. But wait…I veer off into pep talks and mindful meanderings and short fiction— which have nothing to do with nuttiness–and then I trek off on a long tangent about rewriting, when I’m obviously not rewriting at all, but merely engaged in nutty activities to sabotage my rewriting efforts.

    Hmm, is there a focus here?

    And should writers write about the writing process? Some experts answer with an emphatic, “NO.” They say, “Nobody wants to read about your writing process except other writers. You want to attract readers.”

    This advice comes from people in-the-know. Like Janet Reid, a literary agent whose informative and witty blog I recommend to all writers who want the skinny on seeking representation.

    On the other hand, I hear, “Go ahead, blog about writing. You’re a writer, share what you do. Readers want to know.”

    Oh yeah? Says who?

    Another blogger. Who has thousands of followers.

    Things to ponder.

    I was beginning to wonder, as I swiveled ‘round and ‘round in my swivel chair behind the writer’s curtain: is my lack of focus a detriment to readership? I decided to go to the source for an answer. Ask my readers to weigh in.

    So I’m asking.

    “Why on earth are you reading my blog?”

    Don’t get me wrong, I’m delighted that you’re reading. But why did you land here?

    The problem is, I don’t know who I’m writing for, so how can I know what to focus on? Which leads me to question number two…

    2. Who is your ideal reader?

    And just who is my ideal reader? My artistic aunt? Absolutely. My trombone-playing pops? Yep. My singer/songwriter sister? My mother the craftsperson? Okay, anyone beyond my family? What about that guy who blogs about weird stuff in Florida, who wrote that humorous book Lost in Spain? Is Scott Oglesby my ideal reader?

    I decided I needed to narrow it down; find my ideal reader. So I went on a scouting mission to where readers congregate: the library. I saw the Japanese man with the giant scissors clipping his junk mail into miniature pieces. I saw the balding guy hunched over the computer checking out porn. Are these my ideal readers? Unlikely.

    My ideal reader, I mused, must be somewhere in the age of forty to eighty, probably female, with a good sense of humor, a creative streak,  an anxious personality, and a desire to improve herself. Someone who…

    Wait, that’s me!

    My ideal reader is me!

    Hmm.

    So, if the ideal reader is me, why blog at all? Why agonize over rewrites and rewrites of rewrites? Why not just write whatever the heck I want whenever I want, print it, and read?

    Which leads me to question number three…

    3. What is your goal as a blogger?

    Another piece of advice I hear from those superpowers-in-power: writers need a platform. Something to stand on so you can shout out your stories to the gathering crowd. But first you’ve got to attract a crowd. And if you don’t have thousands of followers (as those all-knowing ones are quick to warn), a publisher won’t even look at your work.

    Yeah, well, who needs a publisher, when there are so many self-publishing opportunities out there?

    Hold on. The sad truth of the matter is, if you want others to read what you write, and to buy whatever book you plan to publish, you need followers. Even in days of yore, wandering storytellers needed other bodies to gather ’round the campfire and listen.

    So blogging seemed to me like a good place to start.

    Now, maybe ten people are following my blog, including me. And if one-tenth actually forks over the dough to purchase my book (the one that I’m blogging about rewriting but not actually rewriting)—if one out of ten buy my as-yet-to-be-completed bestseller, that means I’m blogging for one person.

    Which comes back to me.

    The ideal reader.

    I rest my case.

    Except this particular ideal reader is picky and critical and hard to please. I’d rather be writing for someone who is less obsessive, easily amused, and non-judgmental. Like my family. And those other unknown followers.

    And, oh yes, Scott Oglesby.

    Takeaways this week:

    If you’re a beginning blogger, and can’t figure out what to write about, start writing whatever you want. Blog your bloggin’ heart out. Do it for you. Yes, I dare to make such a statement. With a qualifier: post the good stuff. The stuff you would read. Because we all know there’s plenty ‘o stuff in our pile ‘o stuff that ain’t worth posting. Of course, I could be spouting nonsense because I want to feel good about giving myself free-rein. Hmm. More to ponder.

    Let’s be honest: if you’re looking for your ideal reader, look in the mirror. Chances are you’ll find him, or her, peering back.

    Realize that I might be wrong about all of the above. You might have an ideal reader who is nothing like you–which could make it tricky writing for them. And maybe, maybe, blogging willy-nilly won’t draw any reader, ideal or not. But I’ll bet doughnuts to turnips that if you keep at it you’ll find your niche, settle in, and become that go-to person that your ideal reader goes to.

    Want to take a shot at writing a book while blogging? I recommend How to Blog a Book by Nina Amir. She covers the gamut: from deciding on a focus, mapping out the book, building a website, and building a following. For even more information, visit her website: http://howtoblogabook.com/

    A great resource for platform-building: Create Your Writer Platform by Chuck Sambuchino. For both fiction and non-fiction writers.


  2. Top Ten Tips to Survive NaNoWriMo

    October 26, 2014 by Diane

    hand opening red curtain on white.

    If you peek behind the writer’s curtain on November 1st, you’ll see novelists and novelist-wannabes around the world plopping down in front of their writing devices to begin the tortuous task of writing a 50,000-world novel in thirty days. This amounts to 1,667 words per day, or approximately seven double-spaced pages.

    Why do they do this?

    Because of the challenge.

    Because they are writers.

    Because it’s National Novel Writing Month. Otherwise known as NaNoWriMo.

    I have participated in this excruciating yet exhilarating task four times. I have “won” three times. To “win” means to write at least 50,000 words by November 30, email it to NaNoWriMo headquarters before the stroke of midnight, and receive in return a nifty graphic that flashes “YOU’RE A WINNER!” in bold letters on your computer screen.

    For this, I sacrificed  good posture, balanced meals, social activity, sleep, and any semblance of life beyond the day job and the writing of my novel.

    Or rather, novella.

    Let’s be honest. What you’ll end up with is less of a novel, and more of a work in progress.

    To be revised.

    And revised.

    And revised.

    Or stashed away in a cardboard box to be revised at a much later time.

    Don’t let that stop you! On November 1, open your laptop, or set out your pen and pad, and get ready to embark on an amazing journey of your imagination.

    As a seasoned NaNoWriMo finalist, I offer ten tips to get you to “The End” that I learned from my experience.

    1. The inner editor must go. Send the persnickety one on a vacation. If he (mine is definitely a “he”) refuses to leave, then write before he wakes up. Write quickly, so he can’t keep up if he’s leaning over your shoulder emitting noxious fumes. Do not pay attention if he leaps out of the closet and yells, “plot flaw!,” or whispers “your writing stinks” in your ear when you’re sleeping. Just lock him up again.

    2. Stock up on treats to keep you fueled. Or coerce your family  into providing them. My mother sent a weekly care package of power bars, dried fruit, and trail mix in an old Jif Peanut Butter jar. The jar held a place of honor next to my laptop.

    3. Every word counts. If you misspell a word, do not backspace to correct it. If you write garbage, do not delete it. If you can’t think of the right word to use, type a stream of words, and if none of them work, type FILL IN LATER which is three more words to add to your daily quota. If you write a scene and think of a better way to write it, write it again immediately. You can quickly italicize the weak scene so you know to cut it later. Trust me…if you backspace, your novel will flatline. Keep the heart beating in the piece and power on.

    4. Everything you encounter, dream, overhear, or recall is fodder for your story. Be open to these nuggets. The overweight man stepping out of an SUV will appear in the novel. You’ll notice the details: red sports cap, lumbering gate. The waitress with an attitude who serves you tuna salad for lunch will be your villain. You’ll wonder what drives people to behave that way. You’ll develop a novelist’s eye, a novelist’s mindset. You’ll gobble up details and turn them into a waking dream. It’s like making bean muck—opening the pantry and taking out a can of beans, a can of corn, a can of tomatoes, a carton of broth—whatever is on hand to fill the pot, adding a handful of cheese from the fridge. Sounds awful, but it all comes together in a weird way.

    5. Stay the course, but don’t fret if you wind up elsewhere. You will find yourself, somewhere around week three, veering off your plotted course. Don’t beat yourself up. Even Frank Sinatra veered. I saw him perform live, back when he was alive. He sang the classic “My Way” by Paul Anka, and at one point, he went his way, and the orchestra went another. Ol’ Blue Eyes meandered ’round the stage while the orchestra played gamely on and Sinatra’s bodyguards flexed their muscles. Eventually, he found his way again. You will, too.

    6. Your characters will take over. You can rein them back in, or let them take the lead. I say go with the flow. It will lead you to unexpected rewards. Remember: you can fix anything in the rewrite.

    7. Ideas will come to you in the shower. You’ll turn on the faucet and ideas will pour out. My advice: don’t power down your computer until after your shower, so you can quickly capture these thoughts.

    8. Move your body! Sitting for hours takes a physical toll. Be sure to get up now and then to stretch, squat, or walk around the block. Otherwise, when December 1st rolls around, you’ll be permanently hunched, blinking at the sun’s glare when you step outside.

    9. Trust that the words will come. Relax. The Muse will provide. And a nifty byproduct of all this wordsmithing is that it will improve your communication skills. Words will bubble up, and you’ll find yourself entertaining your coworkers, friends and family with stories, anecdotes and jokes. Milk it. You’ll be your boring self again come December. But you’ll be a novelist.

    10. Celebrate your growth as a writer. On the final third of this marathon writing madness you will find your writer’s voice. It’s a beautiful thing. Honor it. Treasure it. And celebrate.


  3. From Zero to Sixty: Facing the Blank Page

    October 5, 2014 by Diane

    hand opening red curtain on white.

    When I’m churning out a first draft, I always start my writing session with a five minute warm-up. If I don’t, I find myself staring at the blank page, or trying to figure out in my head what I’m going to write, or writing a sentence and then deleting it and writing it again with different words.

    In other words, I’m wearing the editor’s spectacles.

    So the first thing I do is warm up.

    I don’t hop in my car in the morning and zip out of the garage without first letting the oil run through the carburetor, right? On the dance floor, I don’t leap into Swan Lake without first limbering up at the bar. (On second thought, limbering up at the bar with a stiff drink would be a good idea, since I’ve never in my life danced on pointe.) At the piano, I don’t launch into Rhapsody in Blue without first warming up my fingers with some scales (and a whole lot of piano lessons). So why do I think I can sit down and rewrite the Great American Novel without warming up my literary muscles?

    I need to start each session with a little calisthenics for the subconscious. I need to nudge the sleeping Muse, let her know that it’s okay to come out and play. I need to reassure her that the Big Bad Editor isn’t on the playground; he’s home having a lonely dinner, cutting his meat into precise cubes.

    So…how do I reach the elusive subconscious?

    I read. Just a few pages, to get the feel of language. If I’m writing snappy dialogue, I read something with snappy dialogue. If I’m writing a literary piece, I read something in the genre. Some writers prefer not to read the genre they’re writing; they don’t want the author’s voice to influence their own. I say what the heck, if the writer you’re reading is at the top of their game craft-wise, why not be influenced? It’s my own voice that trumps, anyway.

    I read a page or two, swallowing the author’s riffs, and then I’m inspired to write. Sometimes I type a paragraph  from what I’m reading, to get that language flowing into my fingers.

    Does it work every time?

    Nope.

    Sometimes I need to coax the subconscious out by losing my writing inhibitions. So I reach for the book Writing Open the Mind, and choose an exercise, say Oysters in the Mouth (and Gravel), and set the timer for five minutes, and have at it. Gibberish for five minutes. I can feel the editor walk away, disgusted, and I’m ready to tackle my rewrite.

    Does this work every time?

    No.

    Sometimes the editor doesn’t want to eat dinner. Sometimes he wants to supervise what’s happening on the playground. As I write, he starts deleting adverbs and dull patches and lackluster verbs, and I have to ask him, gently, to back off. To stand in the corner. To let me tap into flow.

    This doesn’t work every time, either.

    Sometimes I get inspiration by reading one of my writing books.

    Sometimes I start describing something that happened the day before, writing it from the senses only. No narrative. This is an exercise I stole from the book From Where You Dream: the Process of Writing Fiction.

    And sometimes I just write badly. Pure garbage for five minutes. Usually, there’s a gem in there somewhere worth saving, something that sings. I take that gem, use it to start a new paragraph, and write for another five minutes. I find another gem in the new paragraph, use it to start another, and so on until I tap into something that resembles a piece worth pursuing. I adapted this from the book Finding Your Writer’s Voice.

    These are some of the tools in my writer’s kit. Tools to make that blank page not so blank anymore. Maybe you have different tools.

    Maybe you’ll share your tools with me in the comments.

    Takeaways this week:

    Decide how much time you need to draft a piece, and set the timer. Writing fast, I can lay down three hundred words, double-spaced, in ten minutes. That’s one page. If a blog post is five hundred words, I give myself fifteen minutes. Set the timer and let those fingers fly.

    Writing Open the Mind by Andy Couturier. I’ve mentioned this book in a previous post, and it’s a goody. Not only is it written from a place of subconscious ramblings that form into coherent, quirky sentences, it’s filled with exercises that “free the writing and the writer.”

    Finding Your Writer’s Voice by Thaisa Frank & Dorothy Wall. Tap into your raw voice and learn to use it to shape story. This book is a goldmine for writers.